5 Keys To Creating Beautiful Websites For Non-Designers

Today I am going to show you how to design a website like a Pro-Designer. Don’t miss this topic and read continuous.

1. DON’T MAKE CHOICES

I read a story of why Apple’s products are so humble. The theory was Steve Jobs was terrified about making the incorrect choices. He removed as many things in Apple’s products as he could where he’d have to kind decisions.

That’s enthused me in creating Draft. Everything fights to be on the page. I don’t add a line or a color or a decorative navigation bar because I think it would look good. It CONSUMES to be there. If I present a line, it’s because it divorces two things. Without it, you’d be disordered.

Too many people add bits for just artistic reasons. That’s fine if you’re confident in your skill. I’m not. I’m horrified about making the wrong choice. So I give myself as few selections as possible.

Don’t put everything on the page unless it has usefulness.

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2. DO ALIGN BELONGINGS

People notice basics that be situated well aligned. Often, the result looks disordered or random.

I conceived this exercise to teach myself how to know and create musically aligned pages:

Take a website or webpage, not one of your own, and change the position of the elements. Here’s an example I created by pushing things around on 37signal’s Basecamp page.

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3. MAKE TEXT UNDERSTANDABLE

I don’t care how beautifully made your page design is, if I can’t read the text, I’m ticking the Back button and never coming back. Don’t worry about everything else pending you’ve made your site easy to read:

• Learn to design in elm’s. It’s a ascendable size so your work reads correctly on different resolve machines.
• A font size of 12px was easy to read 10 years ago, but for high-resolution screens, you need roughly bigger: 1em or greater.
• Understandable text requires difference. Designers are qualified to think of text as a dark four-sided part against a brighter background (or sometimes overturned). Gray on gray isn’t going to work.
• Think about line distance and space. For example, how’s your favorite book arranged? Most likely there aren’t more than 50-75 characters per line of body text. It’s hard for the eye to treasure the next line if the line distance is too long. Also, it’s tough for the eye to pick available the next line if lines are too close composed. 150% of font size is one rule of scan for comfortable line space.
• When the keys to readability make intelligence to you, start discovering the huge diversity of font choices available from services like Google Web Fonts or Type kit. You don’t have to twig with the avoidances of Arial, Helvetica, or Times New Roman, which everybody else is using.
• Don’t forget my first opinion, which smears to font choices, as well: Don’t make choices. If you can, twig with one font for all. If you must, pick two conflicting types: one for captions, one for body text. Choosing one serif and one sans-serif face is the most clear way to assure typographic difference. In Draft, I required a fixed-width font for script, so I chose “source-code-pro,” but the captions looked preposterous. A nice difference was my favorite headline font: Futura.

4. CHOOSE COLORS INTELLIGENTLY OR STICK TO THE INSTRUCTIONS

If you’re not qualified in color theory, you’re going to need help option your color palette. My advice: Don’t faith your own taste to make color choices. For Current, I knew the color palette could be a make-or-break choice, so I picked a threesome based on a simple methodical rule. A Trio color scheme uses any three colors that are intermediate on the color wheel–they can be associated by drawing an regular triangle.

I found a blue I loved and a pair shades of gray. Done. Since I wanted a pair more colors to help mean other things in my request like successful announcements or error messages, I twisted to a wonderful color tool, Kuler, picked the Trio color rule, set my two grays and blue I previously had, and then used the rule’s restraint to find a red and a green.

5. TASTE THE BROTH

If you’ve ever observed Top Chef, you know what occurs to competitors who fail to taste and correct their interests. Padma tells them to pack their blades and leave.

Similarly, the world’s most dazzlingly designed UI is valueless if your users find it hard to use. Persons were confused. Things didn’t work as I predictable or didn’t work at all. Users even got angry, when, as part of the test, they were requested for $5 after clicking a switch they supposed would share a simple text with their friend.